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Nefertiti Cleveland low relief

100,00 €

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Finish Original

Quantity

We're out of stock, but we make to order!

Terracotta reproduction of a low relief of Nefertiti Cleveland
Egyptian art, New Kingdom

Handmade in Brittany, France
Hand-decoratedn

Dimensions : H 24 x W 24 x D 2 cm

Poids : 0.75 kg

SKU:Eg 003 001a

Material: Terracotta

Used for thousands of years, terracotta can be used to create pieces as close as possible to the originals.

Unlike plaster or resin, terracotta is heavier, more fragile and more difficult to work with, but the finesse of the material, the feel and the finishing possibilities all combine to create exceptional pieces with a soul.

Decors and finishes

All pieces are hand-decorated by our skilled craftsmen.

We use two methods for decoration and finishing, which vary from piece to piece:

- Engobe decoration: this is one of the oldest techniques used to decorate ceramics. It consists of clay to which color pigments are added. The possibilities are endless. It enables fine, precise decoration, but does not protect or solidify the ceramic.

Glaze decoration: Difficult to work with, glaze is used to add a transparent or colored layer of glass to ceramics. This mineral-based layer waterproofs the pieces and makes them more resistant. Colored enamels give vivid colors and incomparable brilliance.

Handcrafted Bretagne, France

All our pieces are made in our workshop in Brittany, France, by a team of skilled craftsmen.

For almost 20 years, men and women with golden hands have been perpetuating the ceramic know-how of this family business.

Manufacturing on demand

Don't have enough stock of the part you want?

No problem! We make pieces directly to order.

Please note that there is a manufacturing lead time, which varies from piece to piece.

If you would like to order a large quantity, please contact us by telephone or email.

Cleaning and care

The pieces can be easily dusted with a soft cloth or feather duster, for example.

Note that pieces decorated with engobe are waxed and patinated to give them a more or less shiny historical appearance.

Secure and eco-responsible packaging

All the parts are packed with the utmost care, and sometimes double-packed to ensure they are transported without breakage.

We mainly use recyclable cardboard for our packaging. Depending on the item, bubble wrap may be used for extra protection.

Delivery and Returns

Delivery in France and abroad with ‘breakage’ guarantee against signature only.

Returns within 14 days.

Consult the frequently asked questions for more information, instructions and return conditions.

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Date and origin

11353-1335 BC, New Kingdom
Egypt

Original conservation site

Cleveland Museum of Art, USA

A little history of the Nefertiti Cleveland low relief

Amenophis IV ascended the throne at the age of sixteen around 1375 BC, succeeding his father, the great Amenophis III. A mystic from childhood, he was to turn Egyptian religious and political life upside down. Supported by his beautiful wife Nefertiti, who was equally mystical, he abandoned the cult of all the gods of the pantheon in favour of one absolute god, Aten the sun disk. The aim of this act was not only to remove the political and religious influence of the powerful priests of Amun in Thebes, but above all to offer his people a more human and accessible god. This revolution was to be accompanied by another: an artistic one. Abandoning the idealistic canons of royal representation, artists sought to capture the essential truth of form, as in this portrait. This profile shows the queen with an elongated face, thick, drooping lips, a prominent chin and exaggeratedly long, almond-shaped eyes. Despite this, the portrait is imbued with a certain elegance, enhanced by the highly stylised wig. The portrait has a strong mystical character, reinforced by the discreet presence of the hand of Aten, the dispenser of life force.

Unique know-how and excellence

Memento Temporï workshop

Model creation
Whether it's from photos or a printed 3D scan, it all starts with sculpting the model that will be used to make the mould.
Mould making
Plaster moulds are made from the sculpture. Depending on the piece, the mould is more or less complex: 2 or more parts.
Casting and cleaning
Clay is poured into the mould. When the thickness is ideal, the excess is emptied. The piece can then be removed from the mould and cleaned.
Firing the piece(s)
When the piece is dry, it is fired a first time. The result is a ceramic bisque ready for decoration.
Decorations
The decorations are created using engobe (pigmented clay) or glaze (a transparent or coloured layer of glass), as close as possible to the originals.
Finishes
Depending on the piece, it is returned to the kiln before the finishes touches: base, wax, patina, etc. to give it a unique historical look. The piece is finished and packaged.